The bri l l iant w orld of music. . .
The angel of music said to l ive there. . .
O nly he w ho receives the smi le of the angel can become a star.
Who w i l l the angel bestow that chance upon?
The spotl ig ht may be the only one that knows. . .
O oh y eah, w e w anna si ng w ith y ou. . .
Yume mitei ru dak e dato
Tomodachi w a w arauk eredo
S hi nj i nak ereba nani mo umarenai
S orede i ito k ok oro ga iy uy o
Konna hitori bocchi o aishite
Tsuy oku dakishi mete hoshi i
Mienai ky ori w a atodoredak e
Donna samishi i y oru mo k oete
Anata no tok oro made
Watashi w a hoshi no matataki
l j ust can't g ive i n on this.
But from the poi nt of view of one left i n charge of management. . .
A steady i ncome? But from the poi nt of view of one left i n charge of management. . .
A steady i ncome?
For me, the profits from the school are secondary.
But. . .
To us, the profits from the school are but one of many bridges.
lf possi ble, l w ould l i k e to establ ish it as a l i nk i n the project.
Now that there is a surpl us, i n terms of fi nances, l w ould l i k e to. . .
l s there a need to mak e the surpl us so large?
l n my opi nion, the decision is y es, it does need to be that large.
What bothers me is the S Class y ou are try i ng to i mplement.
l can't comprehend y our motives.
To operate w ith smal l numbers, strengths should not be d ivided .
Rig ht now special attention should be paid to the lesson classes.
lf possi ble,
l 'd l i k e school operations to be l i mited to lesson classes.
Di rector?
U nderstood . From now on, l shan't say a w ord .
l w i l l lea ve e verythi ng enti rely up to y ou.
Di rector?
But l w i l l be al low ed to hold the S Class.
Al l the expenses w i l l be hand led by my self, as an i nd ivid ual .
H ow about it?
With this and that, it's al l pretty d ifficult, isn't it?
After al l , it is a company,
but w ithout Ex ecutive Di rector Yamanaka,
this company w ould ha ve gone under some ti me ago.
J ust as expected of an MBA.
You trust i n hi m, don't y ou?
lt's the beg i nni ng of Kisarag i's Private S chool , isn't it?
l 've al ready set my heart on it. Father, are y ou l isteni ng?
Yes.
lt's the school Rei ka's company is found i ng !
Yes. lt's the school Rei ka's company is found i ng !
Yes.
Father, w hat's w rong? Al l y ou're say i ng is, ''y es. ''
lf it's about the money, y ou don't ha ve to w orry.
My sa vi ngs w i l l co ver it somehow !
That's not it.
l w ant to try it.
l w ant to S l NG !
l n front of a w hole bunch of people !
With a loud voice ! S o. . .
Can y ou become one so easi ly?
l don't know.
But. . .
l am agai nst it.
What?
Father. . .
l am agai nst it.
Ti red?
No, it w as fun. Ti red?
No, it w as fun.
S tarti ng tomorrow,
l 'l l put y ou i n for i nterviews e very day for a w eek.
Yes, that's fi ne.
Ready, here l go !
Rei ka!
S hould n't w e play w ith her?
Lea ve her alone.
But. . .
S he's been abandoned , rig ht? But. . .
S he's been abandoned , rig ht?
Don't y ou feel sorry for her?
Weren't y ou abandoned too? Don't y ou feel sorry for her?
Weren't y ou abandoned too?
Who cares? !
Don't hate her.
Forget about Mother.
O kay? You can't trust people. You understand?
lf l had n't met y ou, then l , the w ay l am now, w ould n't exist.
Rei ka, rig ht?
Wi l l y ou come w ith. . .
Wi l l y ou come w ith me?
Yes !
Acceptance to the school?
Please forw ard al l i nstructions to Ex ecutive Di rector Yamanaka.
Yes, l understand . l w on't be returni ng today, so. . .
Thank y ou for the hard w ork.
Zutto kanjy ou nante zenbu
S ouy o aijy o date kanari
O re w a nanka dok oka nej i reteru
S ou daroune, y eah
Yay !
Nani mo iw asenai
Nani mo ataenai
Nani mo shitagaw anai (Don't touch my heart )
J i bun mamoru no w a
lt's fi nal ly tomorrow. J i bun mamoru no w a
J i bun dak e shi ka i nai
After al l , l 've been w orki ng part ti me for this day. J i bun dak e shi ka i nai
After al l , l 've been w orki ng part ti me for this day. S aigo ni nok oru mono w a anata jy anai , y es
Aki ba M us ic Sch oo l App l ication S aigo ni nok oru mono w a anata jy anai , y es
l 'm begg i ng y ou ! H urry !
l don't know how l w ould express my apolog ies to the master.
lt'l l be awful if l 'm late !
lt'l l be al l rig ht now. lf it's about ti me, w e ha ve plenty. . .
That's not it ! l mig ht be able to meet Ms. Rei ka, rig ht? !
What? That's not it ! l mig ht be able to meet Ms. Rei ka, rig ht? !
What?
And then ! And then ! S he mig ht say,
''Nozomi , let's w ork hard together.
From today on, w e're friends, y ou know. ''
Why, she could probably say that y ou know !
That mig ht not hap pen.
That's okay. Please hurry !
Yes, Ma'am !
lf it's heads, then the bus. lf it's tai ls, then the subw ay.
H eads !
Thank y ou so much now.
No problem. Thank y ou so much now.
No problem.
l s that so? To see y our son?
l could ha ve cal led and had hi m pick me up, l s that so? To see y our son?
l could ha ve cal led and had hi m pick me up,
but l w anted to surprise hi m.
That's a good idea!
H and it o ver! That's a good idea!
H and it o ver!
Whaddy a thi nk y ou're doi ng , y ou? !
O h, oh dear. . . Whaddy a thi nk y ou're doi ng , y ou? !
Kisarag i M u s ic Office Aki ba M us ic Sch oo l
l am agai nst it.
Father, l 'm sorry.
S omeone ! Catch hi m !
My i mportant. . .
Wait ! G ive it back!
Where d id he go?
This can't be for real , rig ht?
You gotta be kidd i ng !
Akari Mizushi ma? Thank y ou very much.
This has the sched ules for the curricul um and materials.
l s this al l?
The money l 'd fi nal ly sa ved . . .
What am l goi ng to do about the music school?
What am l goi ng to do? !
What? Why? !
Li k e Ms. Rei ka's Dance Lessons,
Ms. Rei ka's Projection Practice, Ms. Rei ka's Q uestion Corner! Why? !
Why don't y ou ha ve any of them at al l? !
l don't e ven know w hy l 'm goi ng here at al l !
Real ly ! l don't know !
You know, y ou. . . Real ly ! l don't know !
You id iot, y ou coal-mi ni ng egg plant bastard .
This is al l? lt is okay to ha ve gotten i n so easi ly?
lt mig ht ha ve been bad for me if they had entrance exams.
They said that they q uit that starti ng this y ear.
Does that mean any one can get i n?
May be it's l i k e American universities
w here it's hard to g rad uate or somethi ng?
May be. w here it's hard to g rad uate or somethi ng?
May be.
But y ou know, it seems they're goi ng to mak e a special class.
lt's for only those
w ho catch the ey e of the H ead mistress, Aki ba Kisarag i .
lt's a super el ite class if Aki ba Kisarag i ,
w ho d isco vered Rei ka, is hand l i ng it herself, rig ht?
H ey, hey. That car. . .
What? H ey, hey. That car. . .
What?
Aki ba Kisarag i . . .
H i ! This is Yuki ! l 'm out rig ht now.
Go ahead if y ou ha ve a message. l 'l l cal l y ou back later, okay?
Yuu-chan? Ah, this is Yaokichi but l d id n't see y ou go out today,
so l w as w orried that y ou mig ht ha ve caug ht a cold or somethi ng .
l 'l l cal l agai n.
l d iot. . . id iot. . .
l 'm lea vi ng !
You tak e care now !
Father, w hat's w rong? Did somethi ng hap pen?
Akari's not normal , y ou know.
l can't understand if y ou k eep q uiet, now can l ?
This project is i nteresti ng !
Create a databases i n al l major cities w hich manage the schools.
Those w i l l k eep track of local consumer trends,
and pro vide the capabi l ities of tick et sales and del iveries.
Kisarag i M u s ic Sch oo l H i g h l i g h t s o f the M us ic E n terprise Conf i den tial P roject P ropos al and pro vide the capabi l ities of tick et sales and del iveries.
Kisarag i M u s ic Sch oo l H i g h l i g h t s o f the M us ic E n terprise Conf i den tial P roject P ropos al The creation of an i nteg rated Music S alon.
Many companies, not j ust Ex ecutive Di rector Yamanaka,
w i l l raise thei r hands for this one !
Please al low me to tak e this project.
l usual ly don't charter creative start-ups,
but if that's okay w ith y ou, l 'l l be w aiti ng tomorrow.
Now, J ee ves, l 'm goi ng to w ork hard starti ng today !
Yes, Young Miss !
S o l say but w i l l l real ly be able to meet her?
Wow ! lt's so spacious !
S o poor people aren't w elcome then? !
lt w as that thie vi ng g uy's fault i n the fi rst place !
Ex cuse me. . .
l thoug ht so !
O h ! From the concert?
Yep ! O h ! From the concert?
Yep !
l 'm so g lad there's someone l know !
l thoug ht l mig ht be able to meet Ms. Rei ka if l got i n here,
but si nce that w on't w ork, l w as thi nki ng of q uitti ng .
What do y ou mean by that?
Wel l , w el l . . .
J i , w hat's w rong?
l w as w orried about y ou, Young Miss, so. . . J i , w hat's w rong?
l w as w orried about y ou, Young Miss, so. . .
l thoug ht l should g reet y our friends.
Please, my best regards.
Yeah. . .
lt's fun, isn't it?
O h, y ou thi nk so? lt's fun, isn't it?
O h, y ou thi nk so?
You can si ng as much as y ou w ant, y ou know !
O h, Ms. Rei ka. . . You can si ng as much as y ou w ant, y ou know !
O h, Ms. Rei ka. . .
Nozomi , d id y ou real ly come here j ust for that?
You're pretty far gone, aren't y ou?
Cheer up ! You'l l meet her someday !
You thi nk so?
Yes, that's rig ht, isn't it?
Young Miss?
Yes ! l w on't g ive up ! Young Miss?
Yes ! l w on't g ive up !
l w on't g ive up either!
That's rig ht !
What? You w ere agai nst it?
You said it i n such a cold w ay? Why?
l w ould l i k e her to l ive a q uiet l ife.
Why are y ou say i ng thi ngs i n such a strange w ay al l of the sudden?
lt's not l i k e y ou, Father. U p unti l now,
y ou've sup ported al l of Akari's decisions, rig ht?
No. . .
You're not such an o ver protective parent. Real ly, Father! No. . .
You're not such an o ver protective parent. Real ly, Father!
S he doesn't remember anythi ng .
That chi ld doesn't remember anythi ng about the past.
Why the d ifficult face?
Past? You mean before y ou took her i n, rig ht, Father?
lt's only natural that her memory at three or four is cloudy, isn't it?
But if that chi ld had n't forgotten. . .
Father, w hat is it that y ou w ant to say? But if that chi ld had n't forgotten. . .
Father, w hat is it that y ou w ant to say?
Father, do y ou mean to say
that Akari could be from somew here l i k e that famous fami ly?
l don't know, but. . .
lt's better if she has nothi ng to do w ith it.
You're j ust thi nki ng too much.
That w ould be good , if l w as, but. . .
Look! The w hole tow n is co vered w ith me !
. . . and so that g i rl w as sig hi ng about ''Ms. Rei ka'' the w hole ti me !
S he's ki nda cute, thoug h. . .
Real ly. . . S he's ki nda cute, thoug h. . .
Real ly. . .
Al l the other g i rls si ng w ith such a serious look i n thei r ey es,
it's the fi rst ti me e ver that l w as so nervous !
Father, l 'm sorry for not tel l i ng y ou about attend i ng music school ,
but it's seems l i k e it'l l be al l rig ht ! l 've al ready made friends
and the people teachi ng are al l super top le vel !
Akari . . .
Yes, Father? Akari . . .
Yes, Father?
l 've al ready decided !
Akari . . .
Father, thank y ou for w orry i ng about me,
but rig ht now l can only thi nk of bei ng a vocal ist.
l can become hap p y w hen l si ng .
l feel that it's g reat that l 'm al ive !
Akari . . .
lt's amazi ng .
l can't be depressed fore ver!
S he's so hap p y. Father, Akari . . .
This could be fate.
Father, Otoki , please w atch.
l 'l l try hard !
The ulti mate !
There isn't anythi ng more that l can teach y ou.
Do as y ou bel ie ve best.
lt's that ti me.
You are to pol ish y ourself,
w ithout any one else's hel p, by y ourself.
By my self. . .
Create y our ow n path, y ourself.
l w anna tel l y ou (Lo ve fore ver) l j ust w anna feel y our heart
Every day, e veryw here, eien ni
Yozora no dok oka de umareta ( Yes ) hoshi no hi kari
S ore w a anata kamo shi renaishi
S ore w a w atashi kamo shi renai ne?
Kitto samishisa y a namida ni
Michi ni tachi domaru hi mo aru
Dak edo te no hi ra o kasaneaeba
Kok oro w a taisetsuna mono honto no y ume no katachi w o
S ou oshietekureru
Ai w as istusmo (Lo ve fore ver) todoku bashou ni aru
Every day, e veryw here, eien ni
Kotoba ha mou i ranai
Totemo atatakai hohoemi de
H aj i memashou, lo ve fore ver
Asserti n g y o u r p rese nce. . .?
J ust don 't get i n m y Wa y.
lt's a chance. Do y o u u n derstan d ?
l 'm goi ng to ha ve y ou debut as a vocal ist.